26 Sep 2016 Leave a comment
During my summer break in Amsterdam, while attending a gathering with musicians from around the world, I came full circle back to Jewish instrumental music, and to the upcoming Yamim Noraim, the Jewish New Year season.
Lunchtime discussions with composer and musician colleagues from such places as Iran, Armenia, and Turkey included experiences with local contacts in the Jewish music communities where they live; music
that had originated in Persia and then moved into Turkey as musicians fled persecution some 400 years ago. The subsequent rise of the great Cantors and Jewish composers of Europe in the 1800s such as Salomon Sulzer and Louis Lewandowski exemplified the growth and popularity of exotic or ‘oriental’ music interests in Austria and Vienna prior to WWI.
Here the connection amongst my international peers became personal: For several years now, I have played Lewandowski’s heavenly adaptation of ‘Kol Nidrei’ on oboe, accompanied by cello, as the opening to the Kol Nidre service that opens the holy day of Yom Kippur at my local synagogue.
I want to share with you how having such instrumental music enhances the Yamim Noraim experience for congregants and patients, and some of the technical and practical information you might want to have about engaging such music for your place of worship or service.
Chaplains such as myself are mostly all aware that music has therapeutic, spiritual and healing capacities. We work with music therapists, sing at bedside, and bring recorded music to our patients and families to ease their time while unwell or transitioning. We can also bring ensemble music into worship or reflection time.
The benefits of instrumental music are that there are no words: it is pure experience, both for the listener and the performer. When I play Lewandowski’s piece, there is a moment when the notes climb just so high; and then I let go. The notes are released and go upward, unfettered by words or ideas; I think some even may still be rising.
I have had feedback from congregants that they, too, went somewhere at those moments of musical release. No words were exchanged. No sermons said, or liturgy sung, or readings read. Just a rising above, a seeking toward the Ineffable, and then a slow, blessed, and reflective return to the here and now.
That for me is the opening to the Kol Nidre service.
Practicalities if you wish to engage instrumental music for the High Holidays at your place of worship:
Play the music in secular time, before candle lighting, from the Bimah or other visible place, after everyone is seated and quieted. Musicians’ dress in white. Perhaps play some lovely Jewish melodies for ambience, as people are finding their seats, with no need for an attentive audience. Some good melody choices are: (Erev shel Shoshanim) “ערב של שושנים” (Avinu Malkeinu) “,אבינו מלכנו”(Dodi Li)“,דודי לי.” Keep the ensemble small, 2-3 musicians.
How to compensate the musicians? We have to talk about that. Although we say musicians “play” music, it is a job — and hard work! Please pay appropriately. The rate should be about $300-$500. Remember, there is a great deal of time invested by musicians for recruiting the right ensemble, choosing repertoire, rehearsals, clothing, for time setting up, the actual performing, and then taking down. What would you pay a guest speaker for a keynote plus other speeches at a major synagogue event? Adjust according to the venue: a care home, a chavurah, a large urban synagogue, etc.
I love doing the work of bringing instrumental music into spiritual care settings. I also believe that bringing instrumental music to worship is a form of spiritual care for the congregants who are not in a care home or hospital. We can all benefit from the inclusion of spiritual connection through instrumental music to our already well-founded traditions of liturgies, Torah, and sermons.
Try this for your ימים נוראים and let me know how it goes.
לשנה טובה ומתוקה ומוסיקלית
*this article can also be found in the Neshama: Association of Jewish Chaplains Newsletter pg. 9